Category Archives: Gunnas-Masters

The old master – Lara McKinley

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

Once upon a time there was a photographer. His name was Brian. He was old-school, a physical man of film and negatives who took pride in the way he could coax light and shadow from paper and chemicals.

When he saw an Ansel Adams print for the first time, he wept. It had tone he could only aspire to, a presence no digital print could ever match. He looked to the dead masters: Dorothea Lange’s gritty realism of the Great Depression, the magic of Cartier-Bresson and his Decisive Moment.

For years he resisted the ephemeral pull of the digital world, everything so fast and complicated; a place where even a photograph – especially a photograph – was not to be trusted.

He romanticised his shrinking business, clinging to his craft the way he imagined clock makers or blacksmiths had in times gone by.

Every day he reassured himself: through mastery of the old traditions, he would be the last of his breed, the holder of wisdom. His prints had beauty and a poetry born under a red light, not with the click of a mouse.

He was a technological dinosaur, and proud of it. He knew nothing of pixels and certainly nothing of curves and levels. He didn’t even like computers.

Slowly these reassurances started to fade. Gloominess set in: You are too old to learn, he thought. You deserve to be extinct. He didn’t feel his actual size, but diminished and smaller, no longer a master craftsman but out-of-date and used up.

One day, he started to say to himself, perhaps I will take a course. One day, was always tomorrow or next week or next year. The step from master to apprentice too big a leap to make; because of that he put his camera away.

His world – once a place of delight and whimsy, truth and power – became grey and unstudied.

In effort to understand the ways of the new world he went to a university end-of-semester exhibition.

It only made him feel more out of touch – the prize-winning print had been given to an out-of-focus, photoshopped montage of a boy soccer player and a disinterested panda playing goalie.

A cheap gimmick and a load of crap, he thought. The judges thought otherwise: A homage to Breton and his notion of surrealist dislocation.

He closed up his dark room two weeks later and retired.

To fill his time and stop the slide into sadness, Brian established every day rituals: A walk, a cappuccino at the café around the corner and a trip to the library to read the newspapers. The mornings gone, he only had to fill the afternoons with chores. Evenings were for reading and crosswords.

It was in his local library, he had his own decisive moment; a perfect coming together of circumstance and timing that taught him a new way to take photographs.

He met Alice.

He was 72, she was 31.

In front of him were the collected works of Sebastião Salgado, a Brazilian economist turned photographer who had set himself the goal to tell the big global stories of work and migration.

Refugee camps looked like biblical paintings of the apocalypse, places of terrible beauty.

Brian had sought out these books wishing to be moved; it was the sort of work he had aspired to doing, but never quite achieved. It was both unique and universal.

Alice arrived at the shared table just as Brian was about to leave. She had her own bundle of books, a healthy eating guide for toddlers sat on top.

She sat down and started to restack her books – which served her needs of the moment but none of her passions. Not surprisingly, she was uninspired.

As she saw the books Brian had spread across the table, Alice stilled.

Brian only felt curiosity, wondering how this suburban mother would respond.

Alice ran her had across the photographs, unaware she was being observed.

A small sigh escaped her lips. Oh.

She looked at the old man next to her, embarrassed.

Brian moved his chair closer, and gently pushed away Alice’s books as he flipped the page.

This is my favourite, he said.

The pair sat together, slowly turning the pages.

Brian watched her with his photographer’s subtle eye.

He saw the light slicing through the window and her look of wonder.

He framed the scene, and took a photograph with no film and no camera.

It was the first of many, and it was just for him.

 

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Happy Hour – Fiona Grimes

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

It was 1983. I was in the lift at work, going to the fourth floor. The lift stopped at second. A guy got in. I recognised him from Happy Hour, where I spent most hours on Fridays after work, making people laugh along with me at random, happy, drunken things.

I was depressed. A condition I hid well, but this guy caught me unawares. “What’s up with you? You’re always so happy,” he said. Fuck you, I wanted to say back, but instead, laughed. Nothing wrong with me, buddy. Get outta here! (Can’t a girl be unhappy? Can’t a girl have a bad day? A bad month? Perhaps a bad life?)

“No Happy Hour today,” I said with fake cheer. The lift stopped at my floor. I got out.

Fuck him. Fuck the lot of them. I don’t have to be happy all the time. It’s not my job to keep people laughing, smiling, wishing we were best friends, soothing their hurts, reassuring their married selves that all was okay back at home with their triple fronted brick veneer, 2.5 children and dog.

Yes, I can be happy, and often I am. I have what many would say was a ‘happy disposition’, but there’s a dark side to the happiness, a yin to my yang. A misery to my mastery.

I’ve had times of being so happy that I’ve felt I could fly. Surely fly. I imagine being the bird, sailing across the valley, riding the breeze, seeing the world from above; soaring, soaring. But I’ve also had more than my fair share of times of utter despair. Times of thinking that dying was the only way out of the bleakness, the never ending-ness of the grind of the day, and the slow, trough of night.

So yes, it’s true I often laugh. It’s true I can often make other people laugh. I even make myself laugh. But right now, in this time and space, all is not well in the house of Fiona.

Right now, my happy face is a lie. A farce.

Right now, the happy girl has gone.

I want my cartwheels back. I want happy me back.

I want way more than a happy hour.

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Balloon Girl (Up in smoke) – Kylie Oliver

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

Once upon a time, there was a garden and a girl
Soft, flickering light, and sugar and spice,
from head to toe – all things nice.
A silly rhyme, a blonde curl.

The walls of ancient stone, were cool and damp
Every day, she played, behind them
The ‘right’ place for girls, dolls, shawls and then –
The day flickered. Light the evening lamps!

A voice urged her, go beyond the wall! A world unknown,
Unexplored. One day, she climbed the cobbled stone
And peered – and oh – her heart swelled and groaned
Calling to her, a small balloon, drifting alone

Smoking a cigarette, she stumbles blindly.
Seeking a new future. Until, finally –

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Who’s Going To Cave? – Stephanie Hughes

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

Once upon a time there was a couple – a man and woman; they were lovers, but in the first stage, the honeymoon stage. They’d do everything together. He wasn’t one for spontaneity, but she was daring and rash.

‘Come with me, darling!’ she said. ‘On the flying fox. It’ll be fun.’

He was worried at first, but then laughed, and said, ‘Are you sure even you want to? You’re wearing a dress!’

She looked down. ‘Oh.’ She faltered.

‘Let’s neither one of us do it,’ he said with relief, and went to take her hand.

She giggled. ‘No, let’s both do it! Who’s going to cave first, I wonder? With your fear of heights and my dress.’

He narrowed his eyes and drew his shoulders up to full height, inhaling fully.

‘Alright! Let’s.’

Every day, they tried something new. She wore his trousers, he approached strangers, she sang every word for one whole day, he comforted a drunkard throwing up in a bar’s restroom.

On this day, he left the bathroom and went back out into the bar. He sat at the booth with his wife. (They were married just months after their flying fox adventure.)

‘This sure is tiring,’ he said and wiped his damp face with a cloth napkin.

‘What is, dear?’ she asked, looking up from the newspaper in her hands.

‘Trying something new every day,’ he said and sat back in the booth.

She smiled in an overly understanding way.

One day, he decided to stop. He decided to break their tradition.

‘No,’ he told her. ‘I’m not doing anything new today. I’m going to relax and be comfortable knowing exactly what’s coming, and what I’m doing, and what I will do until I finish my day inevitably by falling asleep in my own bed. Not under the stars, not naked, not in a car by the beach. In my pyjamas and beside you.’

She denied his assertions, thinking he was joking. He fought back, and her temper flared.

‘How dare you deliberately stop something so sacred, which had proven time and time again to be exhilarating, life-changing even, because you’re tired?’

She became crestfallen that she could not convince him, and subsequently left the house to look for some new adventure to dive into. So she took a walk. Their argument resounded in her mind – key phrases popped up in different orders, enraging her further.

Because of that, she refused to return home. She called a taxi service and requested he drive her to the airport. She booked the next available flight out of the city and boarded within the hour. She considered calling her husband, but only for a moment, because all she could think of was his inevitable reply: ‘Oh have fun. I’ll be here when you get back.’

But what if she didn’t return that day? Or the next? What would happen if she decided to leave him, so that their entire relationship was based solely around the tradition they had kept, from the day of their first date to many years into their marriage?

And because of that, the man was left alone. His wife did not return for a week. When she did, he did not ask where she went, or why she didn’t call. Instead, he sat her down and said, ‘I want a divorce.’

She was livid. ‘How could you? You were the one who made me leave, the one who threw our traditions away, disregarded what our relationship was made of, and who pushed me over the edge! Our relationship shattered the moment you refused me.’

‘Then it was something new for us, wasn’t it!’

‘That’s not the point!’

They argued for hours,

Until finally, they were crying.

‘Why don’t you value what we created!?

‘Why don’t you value me!?

‘What do you mean, value you?’ she asked.

‘I never wanted to do something different everyday,’ he said, hatred injected into every syllable. ‘But I went along with it all because I loved you, and I wanted to be with you, no matter what you did. Last week I realised that you didn’t care about me or what I wanted, you just wanted company when you did whatever you wanted.’

The woman stood frozen with mouth wide open – he had never so much as raised his voice to her before.

How could she be so clueless about what he truly wanted?

‘I’m so sorry,’ she whispered. ‘I thought you wanted to – but I thought you were saying no because you were afraid of whatever it was we were about to do. Do you remember the flying fox? That was the first time we did something new, that neither of us wanted to do. You were afraid of heights, but I helped you get over your fear by trying it with you. Do you think I wanted to show my underwear as I flew over the crowd?’

He scoffed, despite himself. Then sighed.

‘I’m sorry too,’ he said. ‘I should’ve been more open with you… and less relenting when you pushed me too often.’ He had a cheeky smile.

She did too. ‘And I’ll learn to take no for an answer.’

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Space and a place – Andy Hurt

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

I’m not sure why I am here.  No, that’s not an existential question.  I was just asked why I had attended Catherine Deveny’s Gunna’s Writing Masterclass.  You see, it was bought as a gift for me by my lovely husband Peter.  Maybe he sees something in me that I don’t?  I’m scared by natured and something like this has me completely shitscared.  SHIT. SCARED.  Going around the table I explained that I blog.  I’m actually quite proud that I’ve blogged regularly and consistently for six years.  I write to get stuff out of my head and the process of putting things into words has helped me make sense of thoughts and feelings.  It’s a cathartic purge, but also great practice.  Playing with words and language.  Writing for me is forming ideas, getting stuff to fit together like puzzle pieces.  Practice.  Discipline.  Voice.  I can say things in my writing that then allows me to speak it.

Devs then called me an ‘amateur writer’. Something sank in my stomach.  While others around the table had no problem calling themselves writers, I did.  Yep, stuck with the idea that only people who do it for a living or are published can call themselves that.  Words. Labels. Judgement.  But perhaps this says more about how I see myself.  Anxious and insecure, the shy awkward girl I was growing up is always just under the surface.  I call myself a high functioning introvert.  When I say this people are surprised.  But I look around me and find that I have gravitated towards people who feel the same.  That someone in life, at any moment, will come and tap us on the shoulder saying ‘we’ve figured out that you don’t know what you’re doing.  You’re a fraud, so just pack up your things quietly and get out’.  The facade of someone with their shit together has been chipped off.

It’s always perspective.  We never see ourselves as others see us.  We see the worth in other people but never ourselves.  Self loathing, self critical Gen Xers.  Bless us.  It’s a wonder we make it out the front door at all.  But writing has done something unplanned.  I slowly built up the courage to write honestly.  To open myself up, warts and all, heart on sleeve.  I was scared but in this seemingly anonymous online world I was able to push through the fear.  To borrow a cliche, I wrote like no-one was reading.  I wrote purely for myself.  I also realised that if you don’t open up, people never get to see the real you.  The ‘you’ your close friends see.  The ‘you’ you share with people you trust.

Looking back I can see that insecurity is a theme in many of my blog posts and that self doubt obviously runs deep.  Peter suffers from anxiety and depression.  He knows there is no ‘cure’ for how he feels, but a book he read spoke of learning to make space for it.  Understand that this is part of who you are and rather than fight it, make room for it within yourself and your life.  And maybe at the ripe old age of 45, through words, I have done just that for myself.  Rather than focus on the ‘am I good enough’ mantra that has plagued my life, I have found a place to put that insecurity.  I’ve made space for it.  It’s part of who I am but it doesn’t have to define or limit me.  The keyboard and screen became an anonymous safe space that gave me courage I didn’t know I had.

So where to from here?  I’m not quite sure. I’m not the witty, quirky David Sedaris style writer I wish I was.  But I do love observing people.  How fucking interesting are other people!  I’m not quite the funny and mouthy Caitin Moran style writer either.  But these two have something in common that I adore.  Their pieces that I loved the most are the poignant moments of self reflection, written with honesty and heart.  Showing tragedy and comedy. light and dark. They will continue to inspire me.

The class is done and I’m not quite sure where to go.  Some people wanted to write for themselves or family, some people wanted ultimately to be published.  Maybe from this I can find myself part of the community of Gunnas.  Brave enough to share our writing and see where this leads.  I know one thing for sure, whatever happens, there is space and a place for writing within me.

www.worldofhurt-andy.blogspot.com.au
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The Wailing Woman – Fanny Maudlin

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

Once upon a time there was a crazy fabulous wild and wonderful woman. Her hair was a maze of curls and colour and she was dressed always in the fashion of the day which was lace and satin, girdles and bustiers. She was from the late 1800s. She was not a puritan or a good woman of means looking for a comfortable marriage.

 She was an actor and a poet, a burlesque queen who mesmerised the minds of men escaping women they had married who were the opposite of her. Her name was synonymous with Trash and Treasure, in the heady days of the Empire of Kings and Queens and the Aristocracy.

They ruled the day with fashion, food, wine and debauchery carried out in mansions, dance halls, horse drawn carriages and some had the latest modes of transport called automobiles.

Our lady was a Burlesque Queen. She danced in golden halls and rode in carriages cloaked by night with men of reputation. Their wives at home surreptitiously cavorting with the staff in an effort to assuage the knowledge of their duplicitous husbands. Cobbled streets and smatterings of rain created a certain echo of horse drawn carriages as they trotted their cargoes home to pillared homes and grandiose mansions. She was left behind to find her way back from where she came.

As she awoke one morning, fully dressed with her hair billowing unbridled on the stained feathered pillow, she felt as if she was drowning in an aching loneliness which had finally enveloped her like a cancerous disease.

She stood in front of the long extravagant gilded mirror to face herself for the first time naked in her despair. She saw the image of herself wailing back at her. She saw her face contorted in an ugly cry, her heaving and dishevelled shoulders shaking her voluptuous breasts.

This image was one of a woman in torment knowing her life was over. She was too old. The Empire no longer would want or need her charms. Her feet hurt, her girth was thick and the lines on her face were etched so deeply, no sleep or amount of war paint could help her regain her youth.

 Because of that it was as if overnight, she knew her raisin d’être had been extinguished.

She was dead to herself. She was no ones treasure and she had become her own trash.

She knew it was time to wash herself, feed herself and redress herself. Call for the carriage and go to work. As she stepped into her worn satin shoes, she looked up and the daylight was brazen in its criticism of her. The light was cold and bare and excruciatingly accurate that no make up or smile could erase the vision of herself caught in the window.

This was the moment to step into the old world or step out all together. Such thoughts were paralysing until now….

A cataclysmic thought attacked her and she knew what to do.

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Snapshot from suburbia – rachael bonetti

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

If you were to chuck me in a time machine and send me to my happy place of choice, 70s Australia is it.
There was a naïveté and innocence then that I really miss, life was simple, free and happy.
My parents worked extremely hard. There was only ever enough money to make ends meet. Dad drove earth moving equipment in the beating sun and howling rain. Mum worked as whatever she could, at one point in a wool factory, scouring filthy bales of wool and sorting them to be cleaned.
Looking back I feel bad for the moments where we didn’t appreciate this as kids. I’d beg to be taken out to the movies or the drive in, or to the beach on a hot day and couldn’t understand why one or both would scream in exasperation to “go and jump over the fucking sprinkler to cool down”. We would and we enjoyed it because there was nothing else to do.

Summers in Perth are stinking and maddeningly hot. We didn’t have an air conditioner in our car so trips to the beach after school or on the weekends usually meant a burning bottom on the vinyl backseat of the Kingswood , with the windows down and the hot air searing our skin like a hairdryer. We would song along to Kenny Rogers, Bob Marley or the eurythmics on the tape deck and were occasionally allowed to have a Giant Sandwich ice cream as a special treat. It would be a race to cram as much in to our mouths whilst cold without freezing our brains, and licking the sticky melting rivers that ran down our salty hands. The measure of a good day at the beach would be the size of the pile of sand that fell out of our bather bottoms as we stripped off in the bathroom. Mum would have to sweep up half of Coogee Beach by the time we finished showering.

We didn’t have enough money to have family holidays, so days out were activities like fishing. I couldn’t stand it, I was happier inside reading or riding my bike til the sunset. We would go to South Mole or Robs Jetty, neither of which turned me on. The smell of Robs Jetty was unmistakeable on the approach. Meaty, rancid and metallic. The jetty was next to an abattoir , which made it a great fishing spot. The fish were attracted to the blood that tinted the Indian Ocean red until the tide went out, and the odour hung in the in air and stuck in my throat. Little wonder I chose to be a vegetarian for nearly 30 years.

Our house didn’t have an air conditioner  either and there was a daily dance of courting and spurning the breeze. Closing the curtains and windows in the late morning to keep the hot easterly desert breeze out, and opening everything up in the late afternoon to let the Fremantle Doctor in, the sea breeze that brought relief from the heat.
During a heatwave my brother and I would have to sleep on towels on the floor of my parents bedroom under the single  lazy and squeaky ceiling fan for relief. He had ADHD so it was never very relaxing being in such close proximity.

There was always a love of music in our house and I didn’t appreciate how cool my parents were until my 30s.  They had me very young, at 19, and we cut our teeth on bowie, the stones, bobs Dylan and Marley, Fleetwood Mac and AC/dc. I was an awkward and shy kid, and would die inside when I brought friends home after school if I could hear the music pounding out of the house when we were at the end of the driveway. The windows would practically bow from the volume and the bass.
My friends would exclaim they wished their mums were as cool as mine. She would dance, head bang, air guitar and crank the volume up another notch whilst yelling “this is good shit man”.

It was impossible to take yourself too seriously in our house. Any loving of oneself sick would invariably lead to a taking down of a peg or two. My choice to become vegetarian was seen as imperiousness , and ridiculous. To prove this, one evening I was served one of my mums incredible soups. She’s famous for them in our family. After I polished off my bowl and sat there full and happy with my rotund belly she took great delight in telling me I had enjoyed it because she had puréed the meat. To this day her outrageous and shifty audacity, as wrong as it was, fills me with admiration. I shouldn’t admit it but I aspire to her levels of great, cunning shiftiness.

My most treasured memories are those from simple, suburban Australia. It kills me that I’ll never have to work hard to replay a song I love again, rewinding the tape deck, doing the frustrating stop, start, false start, rewind some more. Or siting with my cassette player, waiting for songs I loved to come on the radio so I could record them. That I’ll never again have the vinyl backseat dance, moving from  (bum) cheek to cheek to alleviate the burning and that it’s unlikely that I’ll ever cool down by spending hours hopping back and forth over the sprinkler in the front yard. I know that technically I could, but it would be a community service not to.
To me there is nothing lovelier and more endearing than daggy suburban Australia.

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The ten-wheeled tractor – Melanie Cheng

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

Once upon a time there was a tractor with ten wheels. Some of the wheels were straight and some of the wheels were wonky. It had been around as long as anyone could remember—big hunka junk in the ramshackle shed along the M52 highway. Bruce Wilder owned it. Drove it everywhere. No road was too pot-holed or too wet or too slippery. He gave kids rides on it. Charged them a dollar. Bloody dangerous, the parents said. Because it was rough as one of those mechanical bull things people rode in America.

Once, Billie, son of William Williams, the village doctor, fell right off it. Suffered a severe concussion and was never quite the same afterwards. Secretly, Mary—the village sweetheart—worried she’d broken her hymen riding it. And every day, Bruce fractured a bone as he drove it. First it was his coccyx. Next it was his pelvis. Once it was his big toe when he got it caught in a gap between the tyre and the chassis. Finally Doctor William Williams forbade Bruce from driving it. Diagnosed him with osteoporosis. Said he should be at home, watching TV, in his dressing gown. But Bruce refused to stop. Even when he broke both arms he begged Tim, the village mechanic, to hoist him into it. Threatened suicide if Tim didn’t. Which was ironic. Because that was Bruce’s last ever tractor ride. Half a mile down the road he fell and smashed his skull into a hundred pieces. But Tim the mechanic never forgot the old man’s last words to him. ‘Mate, remember to always fail while daring greatly.”’ He winked and waved his plastered arm, “The chicks love it.”

 

melaniechengwriter.wordpress.com

Twitter: @mslcheng

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CONTROL – Deepa Daniel.

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

Frank’s hands shook as he raised the glass to his lips and his body gave an involuntary sudden jolt, shaking loose the walking stick that had been precariously, thoughtlessly placed on a slight angle on the edge of the table, which made an almighty clatter as it hit the floor. This was just something that happened many times a day, a moment of Parkinson’s-related clumsiness that ended in noise, so he didn’t think much of the event itself. But he did notice how the people around him noticed. There was the attractive waitress at the café, who seemed nervous that he might drop something more or make more noise, causing more disruption to her perfectly manicured workplace; the young mother in the nearby booth, with her two preschoolers, who looked like she was worried that he was intoxicated or medicated, or perhaps insane, that he might do something uncomfortable that she would have to explain to her children; the businessman who didn’t actually seem to take in anything around him, but had glanced in Frank’s direction, who seemed inconvenienced in some way by the disturbance.

And yet, in all likelihood, these were not the thoughts going through the minds of those around him. The waitress was likely just trying to remember the order of the businessman, who looked as though he was stuck in his own preoccupations, but who would pounce on any slight mistake that was made on his order, requiring perfection in everyone around him. The mother of two was more than likely more concerned about whether her two energetic boys would make a scene in the time it took for her to drink her much-needed morning coffee, like the little time bombs that she always felt that they were, and whether they would get to their weekly music class in time, and whether they’d manage to get bread on the way home before the little one got too tired to be manageable in a crowded supermarket filled with shiny, colourful things to want and need. In all likelihood, nobody was taking any more notice of him than they were anyone else. Everyone trapped in their own microcosm, too consumed to worry about insignificant happenings around them.

Who would know.

And yet, Frank often wondered. He often felt conspicuous. Watched. Judged. Misunderstood. Pitied. He often felt like he had to explain himself to people, explain his unexplained lurching movements, his apparent clumsiness. Explain that he wasn’t always like this.

Perhaps he wanted to be noticed, to feel part of society again, to feel noticed. Was this the reason Frank persisted in making the often-monumental effort to venture out of the house every day, getting away from those four walls that were so comfortable, so secure, so familiar, and yet so very lonely, so very restrictive, so very different from the life that he had known? The life prior to Parkinson’s disease, when he still had full control over his body, a sense of control he never truly appreciated until it was lost.

Frank rose slowly from the uncomfortable wooden chair, suddenly cautious, moving with exaggerated care, trying to overcome the shuffling that otherwise took over. As he got up, smiled at the waitress and paid for his coffee, he felt energized. He was ready to navigate the short trip back home, suddenly thankful for life’s small mercies.

At least he had this walk.

At least he could still look forward to feeling the sun shining on his bare forearms.

At least he had his thoughts to sift through, clear and plentiful. Giving at least some sense of control.

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The Myth of the SuperMum – Katie Melbourne

Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer.

SuperMum. She is that lady in the daytime ads for paper towels and other household products. Her home is immaculate,

her hair always done,

her kids are neat,

and when little Timmy comes in caked in mud she simply tilts her head to the side and smiles, hands on hips. Ah, Timmy. She sits on her sparkly white couch in her white pants  (a sure sign of a meticulously kept calendar) drinking tea and swapping organic baby food recipes with her SuperMum friends. You know her well, perhaps you even aspire to be her, but you know what? That bitch ain’t even real.

In the western world, we are fed this idea of motherhood. That a good mother is someone who willingly gives up her life and sacrifices her own wants and desires to be in service to her family. Mums who go back to work “early” or getaway on long vacations sans kids are often labelled as selfish. But if you can work from home, and tend to the kids, and keep a clean house for guests while serving up home-baked goods – all with a smile – then, congrats, you have reached SuperMum status. All praise be to SuperMum.

Seriously, have we even moved on from that painfully idyllic depiction of the 1940s housewife? The truth is, no one is SuperMum.

This is an image we see blaring at us from every television ad, every billboard, every magazine. Even if we ignore the SuperMum image she lives in our peripherals and influences our perception of motherhood. If you want a closer look at such depictions check out the hilarious It’s Like They Know Us. You won’t regret it.

So what is wrong with aspiring to perfection? Well, for one it is an unattainable goal. So many mums struggle with the drastic changes that becoming a parent brings to the everyday; to sleep, to your body, to your role in society, your life goals, your finances, to your very purpose in life. There is enough changes to stress you out without this pristine SuperMum image reminding us of how parenting life should look and how ours completely does not.

At the least this causes exhaustion and stress trying to keep up, at worst it causes depression. The next thing you know we are perpetuating the sickeningly sweet language that accompanies such imagery, talking about every smile being a miracle, and how life has never been better when in reality parenting is so often messy, tiring, and thankless. Not that there aren’t moments of joy, but there are also moments of despair. A realistic depiction of parenthood is desperately needed.

Having SuperMum around doesn’t leave room for the rich diversity of real motherhood experiences. Instead we find ourselves all putting on airs, trying to play at perfection while sweeping our struggles beneath the rug.

Dammit, let’s kill SuperMum. Let’s gather together with our torches and pitchforks and bury that ridiculous image of female perfection. We don’t need her. We don’t need any idyllic goal for inspiration. All we need is a mirror held up to the realities of motherhood: the chaos, the mess, the joy, the fun. The fuck-it-I’m-sure-it-will-all-work-out-eventually nature of parenthood in general. The more we share our honest stories of motherhood, the more SuperMum melts. Oh, what a world, what a world! Good riddance.

 

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