Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer
How To Crack A Tough Nut – Debra Leigh
Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer
Another brilliant piece from a GUNNAS WRITING MASTERCLASS writer
My first job was at Myer Melbourne.
For four months of the year, from September to January, we listened to Christmas carols sung by floundering pop stars. For four months, we heard the same battery operated train choo choo choo and Lemax miniature village Ferris wheel play the same four bars of jingle bells with tacky cheeriness.
From early September we would set up the department, emptying contents of boxes onto the sales floor. There would be six colour themes each year for those of us who are anal about colour-matching to choose from. ‘Regal’ was red, gold and purple. ‘North Pole’ was red and silver. There was also ‘Traditional’ (red, green and gold), ‘Cool Christmas’ (blue and silver) and one year we had ‘Manhattan’, which was bright pink, silver and black. The black offended some conservative-types. There was a handwritten complaint letter in the suggestions box. And because Bernie Brooks hated us, we needed to learn the difference between Regal red, North Pole red and Traditional red. If you couldn’t pick the subtlety between the three, you were demoted to working in the docks, lining boxed Christmas trees according to their height until someone in middle management changed their mind and wanted them arranged by colour.
People like seeing their names on shit. Which meant that, coupled with a steady hand, I had the job of part-time bauble writer. I wrote people’s names and personalised messages on baubles using a glue pen before sprinkling superfine glitter on top of the masterpiece. At $4.95 a pop, Myer has made a tradition out of losing money on this frustratingly popular service for over a decade. Many endless hours were spent sniffing craft glue and snorting glitter in an unventilated storage room filled with dust and quite possibly asbestos.
One customer thought it would be delightful to give personalised baubles as bonbonniere at her upcoming wedding. For two days, I sat in a sea of pink and gold writing 200 names on 200 baubles. I like to think they’re divorced now.
An order came in one day while I was away. ‘Daisy: 2003-2005’. We wondered if it was a child or a beloved pet. I never found out.
For a first job, I could’ve done much worse. Sure, the Christmas magic was somewhat lost when on the 24th December, all the trees and decorations were wheeled out in a frenzy to make way for the red and white stock take sale signs. Or when it was just you and a trestle table of faulty goods and a 75% off sign in the final week of January, waiting for someone to take the singing Santa with a bung eye and soiled clothes to a good home. Someone always did.
My favourite customer was a man and his six-year-old son. The father approached me asking for bright coloured Christmas tree hangings that didn’t reference baby Jesus. They were Hindu and didn’t celebrate Christmas. But he didn’t want his son to feel left out among his friends and wanted him to embrace this time of the year, just like everyone around him in Australia. I walked them past the glitter-coated Three Wise Men and recommended a set of colourful personalised baubles.
Read Biheng’s piece Am I Not Chinese Enough? that she wrote at her first Gunnas that was picked up and published on Mamamia.
Check out her other stuff here!
Twitter @biheng
http://biheng.blogspot.com.au/
It’s not a cookie. It’s a biscuit.
It’s not candy. It’s a lolly.
It’s not a butt. It’s a bum.
It’s not a diaper. It’s a nappy.
It’s not 911. It’s 000.
It’s not a thong. It’s a g-string.
They’re not flip flops. They’re thongs.
It’s not wait up. It’s wait for me.
It’s not zee. It’s zed.
It’s not soda. It’s soft drink.
It’s not math. It’s maths.
It’s not take out. It’s take away.
It’s not a cupcake. It’s a patty cake.
It’s not gas. It’s petrol.
It’s not taking out the trash. It’s putting the bloody rubbish out.
It’s not poop and pee. It’s poo and wee.
They’re not sweatpants. They’re tracky dacks.
It’s not mooning. It’s a brown eye.
They’re not bugs. They’re insects.
And it’s not fucking Halloween. It’s October 31st.
I’m not pissed. I’m pissed off.
I’m not done. I’m finished.
Full stop. Not period.
And don’t tell me what to do. You’re not mum. Not mom.
You can shove your ‘but multiculturalism’ up your arse. Not ass.
So delighted to be asked by Di from La Costa Motel to run a Gunnas Writing Masterclass at her gorgeous little motel.
Same deal as the Melbourne one. Delicious food, awesome people, magnificent day. But by the sea!
Friday November 7 10am-4pm
Saaturday November 8 10am-4pm
Have a read what people who have done Gunnas have to say and all the frequently asked questions are answered here. Book here.
Some of the delicious things on the menu…
Forward from Stamping Ground-Stories Of The Northern Suburbs Of Melbourne (text used in the 2014 HSC English exam.)
‘I grew up in Reservoir. If you are not familiar with Reservoir it’s not a place where people live it’s a place where people’s cousins who just got out of jail live. And it’s the only place in the world apart from Russia where people get married in track suits, and they have bouncers in the supermarket. I’m thinking of doing a one woman show about my teenage years and calling it Reservoir Dog …’
Part true, part my stand up routine. The Reservoir I grew up in was populated by menacing tattooed toothless Torana driving blokes called Craig, Shane or Wayne, crushed menthol smoking pensioners and toddlers who swore. You know the Big Banana and the Big Pineapple? Back then we had the Big 12-Year-Old Single Mother with Tatts And Crabs. You should’ve seen the Mayor cut the ribbon at that opening as Davo, Ferret and Wanger all yelled, ‘Root her! We all did!’ Ah the 70s: ashtrays in every hospital and mullets running free. Things have changed. As my mum prophesied, ‘You wait, one day the yuppies will be doing up the houses out here.’ And guess what? They are. How do I know? Overheard at the Reservoir Pool, ‘Elliot, Hannah, come eat your crudites and humus.’
‘So, you grew up in Reserve Wá ( sic)?’
‘Not Reserve Wá, Res a vor ( sic). Only people who’ve never lived there call it Reserve Wá ( sic).’
We spoke English proper all right. The place we lived was Res a vor but the huge man-made body of water that it was named after we called the Reserve Wá.
I used to lie, I used to tell people that I lived in other places. I was so committed to this masquerade that, in my late teens, I even managed to get a Toorak library card and a chequebook at a bank in Toorak so my cheques had TOORAK written across the top. Tragic, I know. I’m not proud of it, I’m just telling you. I may have inherited this suburban cringe from my grandparents. When my grandmother was young growing up in Richmond she would tell people that she lived in North Toorak. We had another relative who didn’t live in Northcote but in Westgarth. When people asked where Westgarth was she’d reply, ‘Near Ivanhoe and Hawthorn.’
How things change. These days I am thrilled I grew up in Reservoir. I couldn’t buy that kind of street cred. ‘Oh yes commission house, blah, blah, large family, very poor, blah, blah, alcoholic father, blah, blah, yes, yes, bogan peasants, blah, blah.’ Other guests bow their heads in shame and own up to growing up in Balwyn. Intriguing dinner party conversation. My years of feeling like inferior uncleanable suburban scum are superficially fascinating for a short period of time, then we get on to arts funding.
Where I lived there were no Italian peasants singing ‘Funiculi Funicula’ or Asians with their fragrant markets and duck decorated shop windows. Even an odd pisshead Scottish family would have sufficed. I lived in a housing commission colony of unhappy, badly dressed, chip on their shoulder Skips. Terrifying graffiti at the station kept me in line by informing me that Resa Boys Rule, Sharon Is A MOLE and Terry Is Dead.
Sentimental bullshit and selective memory aside there was nothing charming about where I grew up at all. But there was something funny. The sign on the public dunny in Broadway; ‘Reservoir Comfort Station’. Sure we lived in Reservoir, but at least we were comfortable. I grew up in Fitzroy. Sure I spent most of my first 20 years in Reservoir and moved to Fitzroy in 1989. But Fitzroy was where I really grew up. Where I landed in my skin. In the grubby incense-wafting share houses and the cutlery-clattering Cafés on Brunswick Street. And sitting in front bars having a glass or two over a gossip, bitch or a laugh.
I can hear you all now, ‘What a wanker, came of age in Fitzroy, what a toss’. I wish it was somewhere less cliched, more earthy and not as predictable as Fitzroy, but it wasn’t. It was Fitzroy. Sitting on balconies wearing Blundstones, smoking Styvos and pretending I was Judy Davis was where I found myself.
Oh yeah, I was a wanker all right. I conditioned myself to drink coffee without milk simply so I could impress people by ordering a long black.
My crush on Fitzroy started while driving through the inner-city on twinkling blue-sky days in the early 70s. I was intoxicated by the cobblestone lanes, the crumbling little houses packed tightly together and the brick walls painted with flaking advertisements for Robur tea. I used to screech with delight at the multi-coloured double-storey terraces on Nicholson Street with a fleet of orange Kombis parked out the front.
We called them the Rainbow Houses. I remember telling my mother that I was going to live in one when I grew up. She replied, ‘You wouldn’t want to live in one of those old terraces. They’re damp, dark and horrible—just ask your grandmother.’
But I loved living in them. The creaking boards, the outside dunny, and the windows and doors that either didn’t open or didn’t close. In the summer it was high-ceilinged refrigerated bliss, and in the winter we had to wear spencers, eat soup and smoke a lot of dope to take our mind off the fact that our fingers and toes were so cold they could snap off any minute.
I lived in a handful of terraces while at uni, but the most important was a Rainbow House in Bell Street. The colour scheme of the rooms inside could have been coordinated by the colour consultant for Darrell Lea. I lived with three guys and we were all penny-pinching, op-shop-dwelling, rabble-rousing students. We chained our bikes to the front fence and would have had a clapped-out brown loose-weave couch on the veranda if someone had given us one.
I have great memories of that time, a constant stream of drop-ins, the espresso machine never cold and the stereo never off. Having a break from essays and wandering down to The Black Cat to devour a plate of nachos washed down with a milkshake in a frosty steel beaker. The joy of the first warm day in September when the girls would head for the shops to buy a cheap floral dress made in India and the boys would pull out their jolly shirts and shoplift a new pair of sunglasses to wear to the Brunswick Street festival. I was so addicted to the The Fitz breakfast that at one stage a friend called me there to ask for a lift to uni. We were not blind to the cliches; even at the time we would refer to it as being ‘so Aqua Profunda’, referring to Helen Garner’s novels and short stories set in inner-city share houses.
In the suburbs I felt poor, ripped-off and oppressed. But it was in Brunswick Street in the late 80s where I felt those feelings of freedom, confidence and liberation that blossom when you have your own money and are running your own race. With a pocket full of the night before’s waitressing tips I would wander home on a caffeine high after a brunch at Rumbas. Picking up a bag of groceries from the Italian delicatessen that we called The Smelly Shop and lashing out on a bunch of orange marigolds from Flowers Vasette would make me feel like a queen.
But it was at Mario’s Café that what would be my little world started to reveal itself to me. It was the beat that I liked, not the music but the beat. It was the percussion of the no-frills waiters, no-mucking-round customers and no dud coffees that made my heart sing. The glow and warmth of the place in the winter would melt the chilliest soul just by wandering past. Nothing ever changed at Marios, and that is why I liked it. I travelled my emotional length and breadth on those tables: spiritual crises, overseas farewells and returns, fly-by catch ups, career dramas, post-coital breakfasts, counselling brokenhearted friends, reading the first review of my stand-up, long-time reunions, political stoushes, and teary meetings with exes all over perfectly temperatured lattes.
I’d managed to successfully escape the numbing certainty of suburbia. For the first time in my life I felt like I belonged. And then I was grown up, and for me, it was time to move on after a few overseas detours to the People’s Republic of Moreland. It’s pretty trendy these days. I know this because we now have junkies and Pilates. All we need is a juice bar and we’ll be completely up ourselves. Oh, that’s right: we do, and we are. Brunswick, home of the latte crawl.
It’s all book groups, polar fleeces and stay-at-home dads who read the Monthly and drink soy lattes. I’ve lived on the same page of the Melways my whole life. I even went to La Trobe Uni. Three kilometres in 40 years. Are we there yet?
Right now, we’re excited too. It’s hard rubbish collection season or, as I prefer to call it, the Tightarse Festival. I’ll tell you something for free: if you want to get 60-year-old men walking four times a day, put on a hard rubbish collection. They’re gagging for a shuffle around the block when there’s a possibility they may find a replacement catcher for their mower, a piece of cyclone fencing to store in their shed and never use, or a broken carpet sweeper they can put out for next year’s collection. (I can only imagine the look on the face of the wife as one of these men drags another air-conditioning unit the size of a Torana up the driveway, explaining: ‘Before you say anything, love, it’s for parts.’)
Come dusk, every man and his Crocs are out. Pushers, walking frames, scooters and even attractive people with glasses of wine are doing the hard rubbish shuffle. The participants in this Carnival of the Once Loved but Now Unwanted stroll by in a trance. Having a squiz, poking stuff with a foot and, after careful assessment, selecting only the best to proudly lug home. There’s an element of addiction about it, too. ‘Just one more street,’ you hear people saying. ‘I hear Campbell Avenue has lifted its game this year.’
And there’s no shyness about it. Bold as brass. ‘Look at this,’ said a man to me as he pried a smoked-glass coffee table with ornate brass legs from under a piece of corrugated iron. ‘Why would anyone get rid of this?’ I don’t know, maybe because they don’t spend evenings listening to Neil Diamond, snorting cocaine and sharing crack-addicted hookers with David Hasselhoff.
And that’s why I love this place, a suburb where old Aussies, young Lebanese families, student households, Italian nonnas, Greek yayas, Somalian youths, Indian cab drivers and latte-frothing lefties like me live side by side and covet each other’s rubbish. It’s United Colours of Benetton one day and an episode of Mind Your Language the next.
But maybe I’ve misjudged it, and this place is changing faster than I’d realised. When the wind blows in the right direction, you can smell the gentrification. Now I’m a little worried about the hard rubbish I’ve selected to release into the wild this year.
You can take the girl out of Reservoir all you like but you can’t take the Reservoir out of the girl. On a wander during the Tightarse Festival I walked past a house with a huge garden and said to the owner, ‘You could fit at least three cars up on blocks in this yard.’
I love this book. Because people love the northern suburbs the way I do. It’s not just where we live. It’s our home.
Young female producer emailed me a while back asking if I would like to talk on 3AW about private schools.
I said “Sure, $500.”
She said “We don’t pay for interviews.”
Me “Like you I do not work for free.”
She said “Lots of people would come on 3AW simply for the exposure they would get from it. ”
Me “Do you expect your hairdresser, mechanic, plumber to work for free? Only people who enjoy enabling misogyny, fear, homophobia. racism and discrimination would work for 3AW for exposure.
Why would anyone want to be exposed to the mouth breathing morons who listen to your line up of Pale Stale Males?
Do you work for exposure? To you pay your rent with ‘exposure’.
Do you ask your hairdresser to?
Your mechanic?
Your petrol station?
How rude asking people to work for free.
How unprofessional to create a budget that relies on not paying people.
I am a single mum and I pay every person who works for me.
I would not dream of asking someone to work for nothing.
The people who listen to your ‘radio station’ I do not want or need to be exposed to. Who knows what I would contract.
Me being on 3AW would look great on your advertising, embarassing and shameful on mine.
I don’t need exposure. I am financially independent from my work.
No husband.
No rich parents.
No advertising pre paid funerals, lapband surgery or no win no pay whiplash lawyers.
And not working for cunts like the people you work for and with who do not see you as an equal but as a service provider.
Make a run for it sister.
You can do so much better than working in the 1950s for neanderthals, chauvinists and arseholes.
3AW is a business that makes dumb hateful sexist frightened people dumber, more sexist, frightened and hateful.
Is that how you want to spend you life?”
(She has since contacted me asking me to appear AGAIN! Gave similar response)
When you work for free you are PAYING to work for people. Time, travel. childcare (if req) make-up (if req) prep etc. When women appear on these sausage festival/cock forrest stations it enables misogyny. Because one woman appearing for five minutes as a guest equals gender equality.
The ‘gender adjusted appearance scale’.
One volunteer woman for five minutes = to three full time male hosts on yearly six figure contracts.
Friends don’t let friends listen to 3AW.
“The term firebrand was created for Deveny. She’s provocative, borderline insane, and above all very, very fine writer.”
Marieke Hardy – hedonist
“Wildly funny. Deeply intelligent. Sharp as a tack. Deveny is also a masterful teacher. Her Masterclasses are seamlessly facilitated.”
Samuel Townsend
“Deveny as the courage to say what so many of us think. I wish she was my mother.”
Adam Elliot- Academy Award winning creator of Harvey Crumpet
“Deveny as the courage to say what so many of us think. I wish she was my mother.”
Adam Elliot- Academy Award winning creator of Harvey Crumpet