Pardon the Prompts – Kay Jamieson

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

The first time I was turned on to percussion was seeing Strike Percussion from New Zealand perform at a Creative Arts NZ showcase in Wellington. I thought they were fabulous and I was entranced. Through my efforts they got to perform the following year at 2000 Melbourne Festival where I was Program Manager. I met up with the group again in 2004 at the Australian Performing Arts Market in Adelaide. By then I had left Melbourne Festival and was running my own business, based in Melbourne, as an event producer and an artist agent (Australian and international artists and companies). Strike asked me if I would consider being their international manager/producer/agent. After some to-ing and fro-ing by email I submitted a proposal. We subsequently signed an agreement and the door opened in my business to promoting this pretty amazing percussion group – and a lovely bunch of guys and a gal to boot! Over the next few years I secured some exciting engagements for them in Australia and overseas. One of the overseas gigs was with the Hong Kong Leisure Centre. This was a government organization and they weren’t very flexible but having read the ‘Art of War’ – and spending my early childhood in Singapore and Kuala Lumpur – I have a reasonable Asian mindset and found a way to stand firm on several of Strike requirements. The HKLC folk weren’t keen on paying per diems. It was suggested Hong Kong $10 was enough per day but I insisted it wasn’t and eventually got them to agree to the equivalent of the Aussie union rate of $56 dollars per day. And then we finalised the contract, flights were booked and paid for, freight packed and shipped and the day of departure drew nearer. Funny isn’t that when you plan these things you try to dot every ‘i‘ and cross every ‘t’. But occasionally gremlins – or is that goblins? – get into it the mix and things go awry.

When Strike arrived in Hong Kong their luggage was taken to the hotel but the group went straight to the venue as they wanted to check out the instruments that were being provided locally. When they got there and saw the drum kit Muz, the leader, said, “it’s the wrong one! It hasn’t got a snare drum or timps with it”. So the Hong Kong minders scurried around to arrange an exchange before Strike came back for the rehearsal and sound checks. All during the show the audience sat there very quietly and didn’t appear to respond to the music/percussion at all. Strike played the last note of the finale and came forward to take a bow. Next minute the place erupted with applause and cheers and whistles. They were a hit!

Back at the hotel later the musos were having a drink and telling stories and jokes. Muz told the one about the woman who was standing at a bus stop looking at a dog and asked a man standing nearby, “Does your dog bite?” The man replied, “No.” So she reached down to pat the dog which immediately lunged and snapped at her. She leapt back and shouted at the man, “You said your dog doesn’t bite”. Unperturbed the man replied, “He doesn’t. This is not my dog.”

Go Back

DON’T LET THE COUNCIL KILL YOUR BABY – Alma Louise

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

 

The writers class was similar to attending an antenatal class.

It doesn’t really matter if you attend or not, because you’re still going to have a baby. In the same way, if you’re going to write a book, you’ll do it whether you go to class or not.

But by coming to class, you get to know that everyone’s in the same sort of sea vessel. There’s no particular right way to have a baby (with the exception perhaps of giving birth in a fire pit or off the edge of a cliff); and it’s a bit the same with writing. Everyone comes to the party pregnant, and there’s just particular things you can try not to do if you want to avoid fucking the whole show up. It’s normally good to wear a life jacket of some description if you board a sea vessel, and it’s probably smart to ask someone who’s been on the boat before where you might locate your floaties.

Listening to Feedback and allowing a big feedback crap on your work to determine your birth plan is like letting an arrow drawn the wrong way in wet cement point you in the direction of imminent doom until the council decides it’s time for a new foothpath. It’s throwing your life jacket to the fish; which is both stupid and environmentally unfriendly. And who the fuck wants to leave anything up to local government? They wont fix the pavement till at least three senior citizens have stacked it.

So board the boat, have your baby, and don’t let those council bastards anywhere near it. Unless they have publishing grants (but that’s for the post-natal class).

Go Back

The Whistler’s Dream – Lorraine Zeni

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

 

He wants to whistle. He practices on the train and in the car. He practices in bed and in the bath and even on the toilet. He practices while we ride our bikes. Sometimes he is so intent on pursuing his goal that he falls off of his bike and gets up still trying to whistle. Questions and conversations about whistling dominate our days.

“Why do you want to whistle”, I ask. “What is so special about whistling? How do you think it will make you feel? What does it mean to you? What will you do when you can whistle? And once you can whistle what will you do next?”

He gives my questions a lot of thought.

“Well Grandma” he says, “I will be able to take music wherever I go. I will be able to entertain people and make music in my head and I could be the first whistler in an orchestra.”

“And then what will you do if you achieve that and become the first ever official orchestral whistler?” I ask.

“After that Grandma” he says, “I will make the first music for whistlers and I will choose all the people to whistle the sounds of all the different instruments in the orchestra. And there will be new sounds of instruments no one has ever heard before.”

“And when you have done all of that” I ask, “what then?”

His little face lights up. “Then we will have a concert for all the world and we will whistle my music and everyone will learn that if they can whistle they will always have their own music.”

“And after you have done all of these things and shown all of the people that they can carry their music with them all the time” I ask, “what then?””

“Well then Grandma” he says “it will make people feel happy and I will think about what I need to learn next.”

Go Back

What the – TeeJay

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

The first time I was turned on was during a family holiday in Hong Kong. I was 13 at the time.

I remember it was the final night of our stay at the resort and my parents left me, along with the other teenagers, alone at the Teenage Retreat. There were children, mainly English-speaking, from all over the world; American, English, Swedish, Australian, and Dutch and, of course, a few locals were thrown into the mix. I, who was always shy, sat down in an armchair alone whilst the others played ping pong, watched Anime, or danced on the disco floor.

There was this one boy on the dance floor who was so mesmerising; I couldn’t pull my eyes away and he made me feel tingly between my legs. He was a tall young man with rugged elf-like features and blond hair. He danced like an angel. I found myself fantasising about kissing him when, suddenly, the door opened beside me and a short stocky Asian man walked into the space. I remember thinking ‘why the hell is that old man in here’. He walked in a very determined and direct fashion over to the dance floor, past the dancers and towards a metal box on the wall. Within moments it was pitch black in the room and he yelled maniacally, ‘unless someone gives me ten Hong Kong dollars no one will ever see the light of day again!’

A din filled the room as children panicked; screaming and running towards the exit, bashing into other people and obstacles along the way. I could hear them trampling over other children who had fallen over in the rush to get out. Someone reached the door but it was locked. More panic ensued. I couldn’t see a thing; petrified by the situation I remained where I sat, frozen.

Until I sensed a person alongside me. I felt his hand gently reach towards mine and a young voice whisper for me to follow. The sound of his voice made me imagine the blond angel on the dance floor and strangely, given the traumatic situation, as his fingers clasped mine he made me feel safe and excited. So I stood up, and let him lead me.

‘Stay close’, he said. And then, as I clasped his hand tightly with my right hand and used my left to feel for any obstructions, he led me away from the chaos.

Suddenly there was a flash of green light in my eyes and I found myself in a different world. Greeted by a rainforest, a waterfall beckoned me to proceed whilst my hand continued to clasp the hand of my golden prince. Birds chirped, water gurgled through the reeds, and fish leapt upstream as we journeyed towards the waterfall. A rainbow framed it and wanderer butterflies fluttered by. It was surreal.

Finally it hit me. In confusion and anxiety I fell to my knees weeping ‘where am I’?

In my desperation I looked up asking ‘where have you taken me?’

It was the wrong one! The face looking down at me was not the face of my god-like elven king. He had blond hair but had an ugly face, filled with anger and a mischievous stare. He laughed menacingly, almost crying in his own mania.

‘Where do you think you are my princess’, he said. ‘Do you think that you have been rescued by your knight in shining-armor. That he will take you to another world where you can live in love and safety forever more?’

‘That is not how the world works’, he said between fits of laughter. ‘. I saw you sitting alone in the corner of the room and knew that you would be an easy target. So when my master turned out the lights I had to take you. I have stolen you so that I can torment you.’

In fright I screamed, and the next minute there was a red flash of light. The rainbow, fish, babbling brook, waterfall and scary boy had transformed into a desert. I was alone in the sweltering heat. Shocked by the sudden displacement I froze once again; this time scanning the horizon. It was almost dusk and the rust-orange sky was merging into the grey-blue night sky. It would soon be night and this meant it would be freezing.

I then felt a rough tongue probing between my toes. I looked down yelling ‘this is not my dog! Why the fucken hell am I am a desert with a strange dog? Will someone get me out of here?’ I felt as if I was going mad. I fell into a ball and wept.

The veil was lifted. I was in the teenage retreat sitting in the armchair. The disco ball was spinning, the ping-pong game was still going, and the elven angel was still dancing in the centre of the dance floor surrounded by his friends.

I stood up and removed myself from the room convinced that I was, indeed, mad. Leaning against the wall outside the room, I broke down once more. Would I ever be normal again?

The door squeaked as it opened to revel the blond angel exiting. He looked hot and exhausted. Embarrassed by my tears, I hastily wiped them. He saw me, his face softened as his arm reached out for me and he said, ‘are you okay?’

The end.

Go Back

Write the book you wish was there for you – Anni Moss

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

When he was 7 I did a phone call to child abuse report line. Apparently the police or some type of investigator was sent to investigate. Later after some pressure, I told my sister it was me. This went down real bad, I haven’t seen my sister or nephews since.
The weird vicious emotional scapegoating abuse of my nephew had been going on since he was 6 months old. His father was the leader of this, sadistic, emotionally abusive, tormenting, teasing and mocking his own son for fun.
My brother in laws behaviour was shocking and scary. But I like the rest of the family ignored it. Except for some cowardly wingeing behind his back, I too enabled the Abuse of my nephew.
It took me a long time to work out and wake up from a dream, a stockholme like syndrome, that my family outwardly well off, successful people, seemingly high functioning had a dark weird secret. My mum was some type of personality disorder, secretly she had scapegoated me, bullied me, violently hit me and like my brother in law a horrible bully to one child, but a better more loving parent to the other child/children.
Why was I allocated the family scapegoat role?

My dad breaks like fragile fine bone china under the weight of mums personality disorder, he has sacrificed me and my nephew.
Yes he chose peace at any price, fuck you all, I’m going to write the book I wished was there for me, and for my nephew, and work to set all the little Scapegoats free.

Anonymous

Go Back

Fuck you. Thank you. – Hilary Matthews.

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

Fuck you. Fuck you for looking at me in my blue school uniform shorts and my too tight ponytail and thinking “There’s something fucking wrong with her”.

I was walking with my best friend, the Arkansan tomboy, on our school oval. Each conversational twist marked with “I have a theory “ followed by a profound observation about life . She was a little older than me and she knew what it was to be grown up. I was desperate to know everything but she doled out her knowledge in slow agonising drips.  I was in awe of her and being in her presence felt like being in the sun for the first time.

You were a year above me. You were with a friend and I hoped you’d ignore us and head over the low school fence.

“Look at the lezzos.” you said to us catching my eye “Are you a boy or a girl?” you said to my friend between laughs. I was outraged because you were in my sports faction. So much for fucking solidarity.

For years afterward whenever I would walk past your house I would wonder what happened in there to make you cruel.  I would speculate about just how big of a loser you grew up to be.

Thank you. Thank you for telling me my weirdness was wafting out of my pores. Thank you for giving me my clue on how to describe it.

Go Back

Playing in a rock’n’roll band – Sophia MacRae

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

Story started at 5.25pm on the M44. Finished 7.25pm at the Clovercrest Hotel, Modbury North. First set starts at 7.30pm
Not many people get to play in a regular 50s/60s rock’n’roll band. I mean, I know a few, and to me it seems like a normal kind of thing to do, but on a per capita basis of the Australian population in 2017, it’s a rather low proportion, down in the 1:50,000 or something like that – which makes classic rock’n’roll musicians sound like a detailed topographic map (insert joke here about contour lines and wrinkles).
Back in the day – before I was born – playing in a rock’n’roll band in a town like Adelaide was a pretty common thing. People loved to dance. There was no TV – or not much anyway. Guys and gals craved an acceptable outlet for courtship, and there were venues everywhere, every night, that gave the boys (and apart from the singer in some cases, they were always boys) a place to play.
What’s it like now? I am on my way to tonight’s gig, tenor saxophone at my side, sitting on the bus after attending the famous Catherine Deveny Gunnas Writing Workshop today. Dev threw down the challenge of submitting a piece by 10pm of the same evening after her workshop, and for me, a thrown down challenge is a red rag to a bull – and so, dear reader, here we are. I’d like to give you a glimpse of what it’s like these days to play in a classic rock’n’roll band.
Words can’t do it justice, of course. Especially not my words, with my phrases still overlong and clumsy, my style too high-falutin’, my ego pushing through the prose like a pimple on the chin. But hell, I have been tasked to write, and I will write about what I love, and what I wish could be written for me to read – the intangible joy of performing music and seeing people dance and the conviction that this is worthy and respected and needed.
The band is called The Decibells. The reportoire includes California Blue, Breaking Up is Hard To Do, Johnny B Good, Shake Rattle & Roll, Unchained Melody, Great Balls of Fire, Brown Eyed Girl, Doo Wah Diddy Diddy Dum Diddy Doo. You know ’em all. And even if you think you don’t, you actually do, way back in the amygdala part of the brain.

The driving force of the band is Geoff on the keyboard, a highly strung sweetheart of about 70 years who dyes his hair, meticulously organises our sets and gets the gigs. He’s been managing rock’n’roll bands and playing in rock’n’roll bands since before I was a twinkle in my mother’s eye. Billy is on guitar and vocals, and I reckon he’s cruising about 75. He does the Little Richard numbers, rips them out like he’s 25. Sometimes he misses a double chorus or a return to the bridge, but who cares! John on drums is another septegenarian pumping it out, he has not missed a New Year’s Eve gig in 57 years – except for 2015.

I met him while doing jazz gigs, he swings hard, and has played with everyone in Adelaide. The other Geoff is on bass guitar, also a jazz guy with a day job and a family, he sings the high falsetto back-up vocals behind Angie. Angie is our lead vocalist, a no-nonsense nurse and sensational self-taught singer who has been doing rock’n’roll bands for years, and actually switched bands to join The Decibells because she needed LESS gigs and more family time. There’s Travis our dedicated sound guy, a Vietnam vet with a made-to-order trailer behind his Holden Captiva V packed to the brim with sound gear that makes sound good. Gotta love a good sound guy.
And then there’s me, on tenor sax, invited to join the band a couple of months ago, and loving it.
Why? Because the feeling of locking in with a group of humans on stage with no words necessary, making magic happen with three chords, simple words, a driving beat, with a room full of middle aged people (and let’s face it, some of them are officially and delightfully OLD, no two ways about it!) and they are dancing, dancing, dancing to these classic tunes – well, it is the best feeling in the world. It’s like amazing sex, it’s like catching up with your girlfriends from way way back, it’s like the first few days with your new first born baby when everyone is coming over and giving you love and casseroles and gorgeous tiny onesies, it’s like being at a great gig, except it’s even better, because you’re in the middle of it, making it happen, creating that connection.
That’s what it’s like playing in a classic rock’n’roll band.
END
Encore – This was handwritten on the bus on the way to the gig, and typed on an iPad during the first and second set break. It’s now time to get back on stage!
Go Back

Teenage girls should be encouraged to say fuck, learn how to fuck themselves and achieve Fuck Off Status.

Teenage girls should be encouraged to swear.

No one is forcing them to but encourage them to swear if they want to. The worst thing you can encourage girls to be is nice and the second is pretty.

The idea swearing is ‘wrong’ or ‘nice’ indicates there’s a universal agreement on the definitions of ‘wrong’ and ‘nice’ and a. these traits are desirable and b. you can project yourself as being nice by simply sticking to the rule of not saying certain words.

A linguist once told me the people most likely to swear are working class men and educated women. Which props up my theory the poor and the rich have much more in common than the middle class. Who work out what they think is the done thing by aspiring to what they think the rich do, and doing the opposite of what they think the working class do.

Encouraging teenage girls to swear teaches them to question the people who tell them they’ve crossed the line or broken the rules. It encourages them to ask “What rules? What line? Says who? Where’s it written, who wrote it and why?”

I tell girls (and boys) to beware of anyone using the words respect, traditional, family values, unacceptable, morality, uncalled for, inappropriate or unnecessary. Particularly to beware of the word ‘offensive’.

It’s code for ‘Pipe down princess, back in your box.‘

Offence is taken not given and more harm is created by taking offence than giving it.

Just because someone is offended does not mean they’re right.

Offence is used as a mode of social control. Do not be oppressed by feeling you’re supposed to lie down in some chalk outline drawn for you by a society that once upon a time would have burned you at the stake for such unladylike behavior. Now all they can do is accuse you of transgressing some social norm constructed by the patriarchy to put you in your place. And the reason you have to be put or kept in your place is in order to fortify their place. And their place would be the one with disproportionate access to power, control, decisions, leisure, money and the ability to control women’s bodies. AMIRIGHT?

Words reveal much.

Men have opinions, women are opinionated.

Men speak, women are outspoken.

Men are passionate, women rant.

Men have mouths, women are mouthy.

And when was the last time you heard a man called feisty, bitter, sassy, shrill or ‘a piece of work’?

The shibboleth is not that people who swear are uneducated or have small vocabularies; the real shibboleth is that people who assert those who swear are uneducated or have small vocabularies reveal they are insular morons themselves.

“The sort of twee person who thinks swearing is in any way a sign of a lack of education or a lack of verbal interest or -is just a fucking lunatic.” Stephen Fry

Teenage girls should learn to fuck themselves.

Had a discussion with Clementine Ford the other day and she told me about a sex therapist on Oprah who said teenage girls should be encouraged to masturbate. People went crazy. The show was overwhelmed with complaints claiming that ‘encouraging girls to masturbate would make them promiscuous’ . Sorry?

(No, it wouldn’t. Buy so what if it did?)

Clem and I then had a long discussion about masturbation. She was flicking the bean and getting the magic feeling from 12. I did not work out how to orgasm through masturbation until I was 21.

Yes 21.

Growing up masturbation was talked about as something only men did and that was only if they were perverts, desperate or gay. Hetrosexual intercourse was the only real sex. Anything else is what you did ‘if you couldn’t get it’. I don’t know when I worked out masturbation was something that women did on their own and with partners. I do know I would have a fiddle every now and then but never manage to climax. Which was why I WAS BOY CRAZY. Jumping the fence to find a boy or a man with the magic wand to make with the abracadabra. My teens were spent in a constant state of distraction and frustration.

If I had been encouraged to masturbate, if it was spoken about in a healthy and positive way and actively encouraged I wouldn’t have been so emotionally unstable and boy crazy as a teenager. I could have had a wank and got on with my homework, had better sex in my teens because I knew how things worked and knew how to fuck myself and perhaps give the boys and menI was shagging a bit of a hand as we fumbled about.

Recently I have found myself in two separate situations chatting away with a women with her teenage daughter in earshot. I used the word ‘lube’ in one conversation and ‘virginity’ in the other. The mothers did that ‘cut it out she’s listening’ hand movement.

What? What’s wrong with teenage girls having the words ‘lube’ and ‘virginity’ explained to them? What is it going to turn themselves into some mouth frothing nyphomania?

There is nothing wrong with sex, pleasure or any part of the body. Safe and consentual. They’re the rules.

People don’t talk as freely and openly with girls about sex as they do with boys. They have gender defined sexual expectations and aspirations for kids. People are always making jokes about their teenage boys wanking in their rooms, but not girls.

Buy your thirteen year old a dildo and a bottle of lube. Explain that girls and boys masturbate, women and men masturbate, straight, gay, partnered and single masturbate. Alone and with others. It’s free, fabulous, a great stress release and the best way you can find out how your body works and what you like so you can share your pleasure with others. It may help prevent them jumping the fence and finding themselves in unhealthy and abusive sexual relationships because they haven’t worked out how to abracadabra themselves. It also may help them concentrate on their homework.

What all women and girls should be encouraged to achieve is F.O.S. Fuck Off Status.

When I was 19 I met a woman called Patricia O’Donnell who I am buddies with today. O‘Donnell is a successful restaurateur, businesswoman and all round brilliant dame. When I was 19, she didn’t know me. But I was sitting at the bar of her establishment The Queenscliff waiting for some of my mates, her staff. She said to me, apropos nothing, ‘You know what you need young lady. You need Fuck Off Status. You need to have your house, and your business and be able to tell anyone you don’t want to deal with to fuck off.’

Best advice I have ever been given. We need to encourage all women and girls to aim for fuck off status (not to dream of just marrying a footballer) and encourage all men and boys to enable and support it.

Women are 50% of the population, do two thirds of the work, earn 10% of the money and own 1% of the land. What do we want? Fuck Off Status! When do we want it? Fuck off.

‘The truth will set you free. But first, it will piss you off’

Gloria Steinem

 

******

For everything you need to know about Gunnas Writing Masterclass,, Gunnas Self-Publishing Masterclass, Gunnas Weekend Writing Retreat etc click here.

Go Back

Testimonial – Ali

Hi Catherine,

There were so many things that were great today – the venue and the food and the wonderful attention from Team Bouvier of course, and the amazing people who came along – everyone with a special story (could have listened to them all for ages). And of course your wise words and hilarious comments.

But what I really loved and appreciated was the way in which you targeted everyone in turn, gave each of us your full attention, encouraged every one of us so that we each felt we had been given something particularly special and helpful, and then … best part … you actually remembered what everyone had told you, so later on you were able to go back to various people around the table when something pertinent came up for their particular project. And all the time you kept us enthralled by your fabulous humour and funny stories. And it was great getting people to introduce their neighbour so we didn’t all have to do that appalling self-introduction thing (which always has my heart thundering as it gets closer and closer to being my turn).

So, thank you for being magnificent.

Will this be enough to excuse me from sending in my homework ‘contribution’ by 10pm? (it’s your fault really, a piece of work for you tonight would not be core writing – it would be what you so concisely called ‘fucking about’ and today I learned to stop doing that!)

I’m going to work hard now and try to get the book finished in a couple of weeks. I’ll let you know how we go.

Thank you again for an amazing day – I really feel we’re gunna get this book done now. Para is still at work; he’ll be home in an hour or so … poor man won’t know what’s hit him!

Bye for now,

Ali xxx

Go Back

Tokyo Jonno – Jane Keehn

Another brilliant piece from a GUNNAS WRITING MASTERCLASS WRITER 

The first time Jonathan visited Japan, he thought he would stay a bit longer than his friends.

Stay and find something – a soulmate, or just himself.

He loved the city – the people – the absence of litter.

The order and tidiness opened up something in his heart that hadn’t been there before travel.

He only felt ugly now whenever he’d run into other Aussies on the Metro, so he started avoiding places where those sleek, loud Hipsters would hang out.

This new philosophy took him to lost laneways and hidden paths that only locals knew about.

Jonathan began dying his faded, blonde hair black. Now, he wouldn’t immediately stand out as a visitor.

This night he lay on his hotel bed reaching for his Metro Pass, long neglected on the bedside table. Maybe this hadn’t been the best investment of his Yen.

“I can’t find it…” he moaned to himself. “I can’t find the right path.”

“Hang on, Mate!” His little brother would have said, “Can’t you just go with the flow?”

And so, with his brother’s words in his head, Jonathan edged off the bed and out of his slowed-down tourist brain and headed for the neon wisdom of Tokyo.

The black of his hair gave him a solemness and weighed down his skull and his thoughts.

He didn’t feel Japanese and yet his Australian thoughts were slipping from him each day.

Jonathan navigated towards his favourite restaurant where he felt welcome and safe.

He slipped off his shoes at the entrance and waited to be seated.

The staff remembered him even with his new black roots.

The food came fast and its aroma smelled of future hope, but its colours reminded him of something he’d lost years ago.

A love.   A life. A youth.

He was surprized when tears sprung from underneath his eyelids as he ran for the door.

“Where are my shoes?” he asked no one as he fumbled onto the stairwell without them.

Next minute, a pink girl straddling a pink motor scooter crashed around the laneway, missing Jonathan’s bare toes by just this much.

Above the beep of her scooter horn, the pink girl screamed, “Watch out!”

She slammed on the brakes, “What do you think you’re doing?”

“You tell me – I don’t know” Jonathan answered into the air between them.

She took off her helmet and softened her face, “Are you okay?”

“It’s music. Life is like music” Jonathan almost sobbed. “It can strengthen you but it can also take your heartbeat away with its grief!”

He didn’t really know what he was saying.

The pink girl kicked down the stand on her scooter. “Maybe stand over here?”

She led him off the lane to the curb. “You seem to be having some kind of Tokyo, touristy crisis.”

A small gasp squeezed from Jonathan’s mouth as he looked into the pink girl’s eyes.

Her eyes took in his dyed black hair and foreign sadness and she was surprized that she wanted to know more about this stranger who she’d nearly run over.

“Why don’t you tell me all about the music in your life over a drink?”

.

Go Back